EMBROIDERY ESSENTIALS

Embroidery Floss: Your Guide to Strands, Threads and Getting Started

How to separate it, how many strands to use, and how to start and finish without knots

Embroidery floss (also called stranded cotton) is the thread you'll use for most hand embroidery and cross stitch projects. It's made from cotton with a slightly shiny finish, and each length consists of six strands loosely twisted together.

The clever part is that you can separate those strands and use them individually or in combinations, depending on how thick or fine you want your stitching to be. That flexibility is what makes embroidery floss so versatile.

If you're new to working with floss, this page covers the essentials: how to separate the strands without tangling, how many to use for different fabrics, and how to start and finish your thread cleanly.

Skeins of embroidery floss organised on a thread rack
THE FIRST SKILL

Separating Strands of Embroidery Floss

This trips up more beginners than almost anything else. If you just pull two strands out of the six, the whole lot tangles into a knotted mess. The trick is to strip one strand at a time.

Cut your length of floss (more on how long in a moment), hold the top end between your finger and thumb, and pull out one single strand upwards. The remaining strands will bunch up underneath, but they'll fall back into place once the single strand is free. Then pull out a second strand the same way and put them together.

Always strip one at a time, even if you need three or four strands. It takes a few extra seconds but saves you minutes of untangling.

This short video shows you exactly how it's done:

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BEFORE YOU START

How Long Should Your Thread Be?

Cut your floss to about 18 inches (roughly the distance from your hand to your elbow). This is long enough to get a decent amount of stitching done, but short enough that the thread won't wear thin or tangle from being pulled through the fabric too many times.

If you're using metallic or rayon thread, go even shorter (12 to 15 inches). These threads fray with friction, and a shorter length keeps them in better condition.

It's tempting to use a longer thread so you don't have to re-thread as often. Resist! Long threads tangle more, wear thinner as they pass through the fabric repeatedly, and the last few inches often look duller than the first. Short and fresh gives better results.
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GETTING THE RIGHT COVERAGE

How Many Strands of Embroidery Floss to Use

The number of strands you use depends on your fabric count. Higher count fabrics have smaller holes, so you need fewer strands. Lower counts have bigger holes and need more strands to fill them properly.

This table gives you the recommended strand count for counted thread work. If you're unsure about fabric counts, my Aida cloth guide explains it with a video.

Fabric Count Number of Strands
11 3
14 2 or 3
16 2
18 1 or 2
28 (over 2 threads) 2
32 (over 2 threads) 1 or 2
36 (over 2 threads) 1

These are guidelines, not rules. If your stitches don't seem to be covering the fabric properly, try adding a strand. If they look bulky or won't pull through easily, try one fewer.

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NO KNOTS ALLOWED

Starting Your Thread

When students ask if they can start with a knot in my embroidery classes, I advise against it. Knots create lumps on the back of the work, can show through to the front on finer fabrics, and may come untied over time. There are better ways.

The loop method (for even numbers of strands)

This is the neatest way to start when you're working with two strands (or any even number).

Take a single strand of floss and fold it in half. Thread the two cut ends through the needle, leaving the folded loop at the other end. Make your first stitch, pulling the needle through the fabric but leaving the loop at the back. Bring the needle to the back again and slip it through the loop. Gently tighten, and you're anchored.

The loop method for starting embroidery floss without a knot
The loop method: fold one strand, thread both ends, catch the loop on your first stitch

The one drawback: if you make a mistake, you may need to undo all the stitches done with that length of thread to get back to the loop. But for clean, knot-free starts, it's hard to beat.

The middle-start method (for odd numbers of strands)

When the loop method won't work (odd strand counts, or when you want more flexibility), try this instead.

Thread an 18-inch length into your needle, leaving a short tail at the needle end. Start stitching in the middle of your row and push the needle through the fabric, then continue stitching. Leave the remaining loose thread to come back to later. When the first half runs out, fasten off, then rethread the remaining loose end and finish the row in the other direction.

Waste knots

Temporary waste knots are useful when you want a firm anchor while you stitch. Tie a knot at the end of your floss and insert the needle from the front of the fabric, positioning it in the path of the stitches you're about to make. As you stitch, you'll work over the thread tail on the back, securing it underneath your stitches. Once it's secure, snip off the knot from the front.

Away waste knots

An away waste knot works the same way, except you position the knot off to the side rather than in the stitch path. After several stitches, cut off the knot, thread the loose tail into a needle, and tuck it under six or so stitches on the back. Snip the excess close to the stitching.

This gives a very clean back because the thread tail never gets stitched over in a visible area.

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ENDING CLEANLY

Finishing Your Thread

When you run out of thread (or reach the end of a colour area), you need to secure the tail so it doesn't unravel.

Turn your work over and slide the needle under five or six of your existing stitches on the back. Pull the thread through gently, then snip it close to the stitching. The tail is held in place by the stitches above it.

Some stitchers like to weave back through a couple of stitches in the opposite direction for extra security, especially on items that will be washed or handled. That's fine, but don't overdo it. Too much thread on the back creates bulk that can show through to the front.

When to finish and start fresh: If your thread starts looking fuzzy, thin, or dull, finish it off and start with a new length. Floss wears as it passes through the fabric, and the last few inches of a well-used thread won't match the sheen of the first few.
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COMMON FRUSTRATIONS

Twisting, Tangling, and What to Do About It

If your thread keeps twisting as you stitch, you're not doing anything wrong. Every stitch adds a slight twist to the thread, and after a dozen or so stitches, it builds up enough to cause problems.

The simplest fix: let the needle dangle. Every few stitches, drop your needle and let it hang freely below your work. The thread will untwist on its own. Make this a habit and you'll barely notice the problem.

Other things that help:

Shorter thread lengths. The longer the thread, the more twist accumulates before you notice.
Strip and recombine strands rather than pulling multiple strands out together. Stripped strands lie flatter.
Use a laying tool to keep multiple strands parallel as you stitch. Especially helpful for satin stitch.
Check your stitching direction. If you always stitch the same way, the twist builds in one direction. Alternating can help.

If your thread is knotting on itself rather than just twisting, it usually means your thread is too long, or you're pulling it through too quickly. Slow down and let the thread fall naturally as you pull.

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CHOOSING QUALITY FLOSS

Don't Economise on Embroidery Floss

Embroidery floss wound onto bobbins for organised storage

Investing in quality embroidery floss from reputable brands makes a real difference. Cheap threads can fade after washing, bleed colour onto your fabric, or have uneven thickness that shows in your finished work.

The brands most embroiderers trust are DMC, Anchor, Madeira, and Susan Bates. All are colourfast and consistent in quality.

Each brand uses its own colour numbering system, so a colour that's number 321 in DMC won't be 321 in Anchor. If you need to substitute one brand for another, use a thread conversion chart to find the closest match.

Many embroiderers (myself included) prefer to stick with one brand for an entire project. This keeps the colour shading consistent, since even "equivalent" shades between brands can look slightly different side by side. The only time I switch is when my preferred brand doesn't make the shade I need.

Not sewing thread! Sewing thread (used in machine sewing and dressmaking) is much thinner than embroidery floss and isn't suitable for hand embroidery. If someone offers you a reel of sewing thread for your cross stitch, smile and decline.
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KEEPING IT TIDY

Storing Your Floss

Once you start collecting embroidery floss, it multiplies fast. A tangle of loose skeins in a bag is a recipe for frustration (and duplicate purchases when you can't find the shade you already own).

Most stitchers wind their floss onto bobbins or cards and store them in a thread organiser box, sorted by number. It takes a little time to set up, but it saves hours of rummaging later.

I've written a full guide on organising your embroidery floss with storage ideas and tips for keeping your collection under control.

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BEYOND STRANDED COTTON

Other Thread Options

Embroidery floss is versatile, but it's not the right choice for every technique. Here's when to reach for something else:

Pearl (Perlé) Cotton

A non-divisible, lustrous thread that comes in four thicknesses. Essential for Hardanger and beautiful for surface embroidery where you want a smooth, rounded line.

Linen Thread

Strong and robust. Used for pulled work, needle lace, and stumpwork, where the thread needs to withstand tension without breaking.

Rayon and Silk

For a high-gloss, luminous finish. Rayon and silk threads can be slippery to work with, but the sheen they produce is stunning.

Metallic Thread

Adds sparkle and shimmer to your stitching. Needs a little patience, but the results are worth it. See my beginner's guide to metallic thread.

Crewel Wool

A fine wool thread that gives a matte, textured finish. Traditional for crewelwork and Jacobean embroidery.

Needlepoint Fibres

A wide range of specialty threads for canvas work, from overdyed cottons to textured novelty threads. See my needlepoint fibres guide.

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READY TO STITCH?

You've Got the Thread. Now What?

With the right floss, the right length, and a clean start, you're ready to make your first stitches. If you need help choosing the rest of your supplies, or want to learn your first embroidery stitches, these guides will get you going.

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There is a vast array of threads available to stitch with nowadays. If you have any questions on how to use them, please use the form below.

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