Six blackwork figures, each from a different era. Pearl in her 1920s evening wear, Coral in a 1930s dance frock, Jasper the gentleman companion, Sophie the 1950s bride, Georgina the Regency lady, and Marina the mermaid on her seashell-bordered rock. Each pattern is a downloadable PDF chart with shading guides.
Five patterns are £5.00 each, Marina is £4.50. All instant PDF downloads. If you haven't tackled blackwork before, my Blackwork for Beginners ebook is a friendly way to learn the technique before you dive in.
Recreate the glamour of the Roaring Twenties with Pearl, a stunning blackwork design worked in two shades of plum, a touch of silver metallic thread, and pearl beads.
When you think of the Roaring Twenties, cloche hats and drop-waisted dresses decorated with beads and tassels probably spring to mind. But the decade was also marked by the introduction of exquisite evening wear. At the end of each workday, women would don their haute couture evening gowns and headscarves, then head out for an evening at the theatre, a concert or a cocktail party.
Wouldn't you love to have the slim, elegant figure needed to carry off Pearl's dress? (Although I hate to think of the constrictive undergarments that flattened those womanly curves.) Instead, you can enjoy stitching the design and frame it on your wall to admire, without enduring the discomfort.
Design size: 21 x 8.25 in on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Two shades of plum + silver metallic + pearl beads
Same design, stitched in black and gold
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Coral is the perfect companion to Pearl. With her pleated skirt and sleeveless top, she's sure to be the belle of the ball. Charted in plum and silver or black and gold, or choose your own colourway entirely.
Is Coral heading for the Savoy Theatre? Or is she "In the Mood" to experiment with the Lambeth Walk or Palais Glide at the dance hall? The novelty of the time was television, but I don't think she's staying indoors, even to watch Wimbledon for the very first time.
Loosely based on an image of a "dance frock" on the front of a Weldon's Home Dressmaker pattern of the time, Coral wears a pleated skirt that accentuates her slender waist. Her sleeveless top, a rope of pearls and a stylish beribboned hat complete her outfit, while her coy smile hides her nervousness.
There's no need to be nervous while stitching this pattern. Follow the base fill pattern, then place additional stitches in the shaded areas to add depth.
Design size: 22.25 x 7.5 in on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Plum and silver, black and gold, or your own colourway
Coral in black and gold
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Meet Jasper, the perfect gentleman to accompany Pearl and Coral. With his cravat and vest, he's the epitome of elegance. Worked in black, grey and plum with pearl beads.
As one decade made way for the next, the 1920s gentleman found the fashion for evening wear was changing. The tuxedo, vest and satin-striped trousers were all the rage. But my blackwork fellow Jasper isn't quite ready to convert from his cravat to a bow tie.
Listening to the jazz music on the gramophone, he has his eye on a young lady. He notices she's smiling, blushes a bit as he realises her smile is for him, and hastens to make his approach. "Would you like to join me in the Charleston?"
After I designed Pearl, many stitchers asked me to create a companion piece. The tiny touch of plum in his cravat and vest links the designs, though you could keep to traditional black and white if you prefer.
Design size: 18.5 x 8 in on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Black, grey and plum + pearl beads
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Sophie is a beautiful blackwork bride with a simple yet elegant design. Worked in blue, with a pop of colour in her bouquet.
In October 1959, the last day of a glorious Indian summer, my mum and her sister shared their special day with a double wedding ceremony. The congregation had decorated the church with fruits and flowers in readiness for the Harvest Festival service the next day.
Although both ladies wore demure white lace dresses, I changed the colour according to the old rhyme that says you should have something blue with you on your wedding day. If you'd rather stitch your bride in white, you could use a blue fabric instead.
I added a touch of colour to her bouquet, even though in reality it contained cream and white chrysanthemums grown by my grandfather.
Design size: 8.5 x 20.25 in on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Blue (or white on blue fabric) + a pop of colour for the bouquet
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Georgina is a stunning blackwork design that transports you to the Regency era. With her country-styled chemise dress and ornate chaise longue, worked in blue and silver. A little shading is incorporated to add depth to her attire.
Georgina relaxes before high tea, her thoughts on finding a gentleman "in possession of a good fortune" who wants a wife. In Jane Austen's novel, that was the most important purpose in a lady's life back in 1813: to find a husband.
While she waits for that opportunity, she will continue her singing and dance lessons, and enjoy reading, painting, sewing and visiting friends (in the company of a chaperone, of course).
Perhaps while you stitch her country-styled chemise dress and ornate chaise longue, you can imagine yourself in her shoes, as your mind drifts to Mr Darcy. This Regency lady won't take long to complete, with simple blackwork patterns in shades of blue.
Design size: approx 11 x 13 in on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Blue and silver with light shading
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Although it looks intricate, this fantasy blackwork mermaid's tail is easier to stitch than it may appear. Stitch the base pattern across the complete tail, then add further stitches to build up the shadow effect.
Do you think of mermaids as beautiful creatures, half woman and half fish? Or are you of the opinion that a drunken sailor glimpsed a manatee or dugong under the sea and somehow mistook it for a mermaid? In the sailor's defence, perhaps he hadn't put his glasses on that day.
Whatever their origin, mermaids appear throughout art and folklore, a tradition I'm happy to continue.
I named my blackwork mermaid Marina, after Hans Christian Andersen's fairytale undersea princess, and sat her on a rock looking out over the ocean. I surrounded her with a seashell border and allowed her tail to curve and break free of the frame. Will you stitch yours in aqua tones with a touch of silver sparkle like me, or do you have your own colour scheme in mind?
Design size: 14.4 x 7.6 in (36.5 x 19.3 cm) on 14 count
Fabric: Aida 14 or 28 count evenweave
Threads: Aqua tones + silver sparkle (or your own palette)
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4 figure-portrait patterns: the Lacemaker (in cross stitch and blackwork), the Stitcher, and Mary in sepia. From £2.25.
2 large Japanese blackwork patterns: Turquoise Lady and Keiko the geisha. £5.00 each.
The full catalogue: animals, flowers, figures, samplers, Christmas designs and more.