Drawn Thread Work: Whitework Sampler Band 2

Drawn thread work is a whitework technique in which certain threads are removed from the fabric and the remaining ones are gathered together to create decorative bands. With practice and patience, you can master it and create stunning pieces of needlework.

This lesson was originally part of a stitchalong sampler released monthly for subscribers to my newsletter. It is now available to everyone here on the site.

To access the other parts of the sampler, use the sampler navigation below.

The ladder effect you are working towards

What is the difference between drawn thread and pulled thread work?

In drawn thread work, threads are cut and removed from the fabric. Pulled thread work removes nothing. Instead, the threads are simply rearranged and tightened to produce a delicate, lacy effect.

You met pulled work in Band 1, and this band teaches the drawn thread side, so by the end of it you will have stitched both and felt the difference for yourself.

Ready to try drawn thread work for the first time?

If you're hesitant about cutting and pulling out fabric threads, don't be! It won't cause your project to unravel.

To start, we'll use buttonhole stitches to secure the ends of our band. This will ensure that everything stays in place and allows you to move forward confidently with your project without fear of it falling apart.

Securing the fabric threads

To begin this embroidery project, locate the bottom left corner of your first band (shown in red in the chart below) and count down eight fabric threads. Once you've found the correct spot, mark it with a pin.

The band chart. Click it to open full size.

Keep in mind that you'll eventually need to remove the ninth to twelfth threads, but for now, thread up with perle 8 and start working on the buttonhole stitches.

Create five vertical stitches with the corded edge facing towards the center of your work, directly below the left-hand edge of the first band, as indicated on the chart. Repeat this process on the right-hand side of your sampler to complete this section.

To make it easier for you to follow along, I have marked the stitches in blue on the chart.

However, when you begin stitching your sampler, you will use the same color thread you used for the rest of the project.

Removing the threads

Before you start cutting, make sure to secure the fabric threads at both ends.

Once that's done, it's time to begin snipping.

Take each of the four threads and cut them once in the center of the row. Then, using your needle, carefully pull them out of the fabric, working your way back towards each side of your sampler. This technique will help you create a clean and precise cut, ensuring that your finished piece looks professional.

When you come to the buttonholed edges of your project, there are two ways to finish them off.

The first option is to simply cut the fabric threads as close to the stitches as possible. However, if you want to ensure extra security and a neater finish, you can thread the loose threads onto a needle and weave them under the buttonhole stitches. Take care to weave them into the fabric itself, going over and under the remaining threads all the way to the edge of your fabric before cutting them. By taking this extra step, you can prevent any loose threads from unraveling over time.

After withdrawing the threads from the open area, you should be left with only the vertical fabric threads. You'll gather these threads into groups of four by using a technique called hemstitching.

Hemstitching your drawn thread work band

Secure your stitching thread behind the buttonhole stitches.

To begin hemstitching, refer to the numbered diagram below and locate the open space on the right-hand side along the bottom edge of the withdrawn area.

Then, bring your needle up two fabric threads below this space and prepare to start your first stitch.

The hemstitch diagram. Click it to open full size.

Plunge your needle into the gap between the remaining threads, directly above the hole the thread is currently coming out of. Then with the needle pointing to the left slip it behind the first four vertical threads. Pull firmly to move the threads into a clump and take the needle to the back of the work in the same gap you previously used.

Bring it back to the surface four holes to the left in line with your first entry point and repeat the process explained above.

To ensure that the top edge of your drawn thread work band is secure, simply repeat the sequence you used for the bottom edge. This involves collecting the same four threads together to create a ladder effect, as demonstrated at the top of the page. You may find it easier to turn your work by 180 degrees so that you are working in the same direction as before.

Ready For The Next Band in Your Whitework Sampler?

That's Band 2 finished. Your sampler now has its first open, lacy band, and you've handled the technique that makes most stitchers nervous.

Band 3 combines pulled satin stitch with pulled double back stitch to build a wider band.

Back to Band 1  ·  Learn more about whitework embroidery